{"id":1884,"date":"2023-12-05T10:12:34","date_gmt":"2023-12-05T10:12:34","guid":{"rendered":"https:\/\/dgej.hab.de\/?p=1884"},"modified":"2023-12-07T10:57:46","modified_gmt":"2023-12-07T10:57:46","slug":"muratori-aesthetik-musik-resonanzen-in-der-deutschsprachigen-aufklaerung","status":"publish","type":"post","link":"https:\/\/dgej.hab.de\/index.php\/2023\/12\/05\/muratori-aesthetik-musik-resonanzen-in-der-deutschsprachigen-aufklaerung\/","title":{"rendered":"Muratori \u2013 \u00c4sthetik \u2013 Musik. Resonanzen in der deutschsprachigen Aufkl\u00e4rung"},"content":{"rendered":"\n<h1>Jahrgang 47 (2023) Heft 2<\/h1>\n\n\n\n<p><strong>Heft<\/strong><br>2 (2023)<\/p>\n\n\n\n<p><strong>Jahrgang<\/strong><br>47<\/p>\n\n\n\n<p>Konzipiert von Esma Cerkovnik<\/p>\n\n\n\n<p><strong>Aus der Arbeit der DGEJ<\/strong><\/p>\n\n\n\n<ul><li>Zu diesem Heft (Stefanie Stockhorst)<\/li><li>Rassismus und Weltwissen. Praktiken, Diskurse und Episteme der deutschen Aufkl\u00e4rung. Jahrestagung der DGEJ vom 13. bis 15. September 2023 in Wolfenb\u00fcttel (Tim Brown und Alexandra Dempe)<\/li><\/ul>\n\n\n\n<p><strong>Beitr\u00e4ge<\/strong><\/p>\n\n\n\n<ul><li>Esma Cerkovnik: Einleitung. S. 125-126<\/li><li>Wolfgang Pro\u00df: \u00bbBilder von Dingen, die den Augen entzogen sind\u00ab \u2013 Muratoris Bestimmung der fantasia und ihre Wirkung im deutschen Sprachraum. S. 127-143 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> Central to Muratori\u2019s poetical theory in Della perfetta poesia italiana is the antagonism between the poet\u2019s obligation to imitate nature, and his ability to \u2013 in Shakespeare\u2019s words \u2013 \u00bbgive to airy nothing a local habitation and a name\u00ab. This essay traces aspects of the reception of Muratori\u2019s concept of fantasia in Germany and its impact on the change in the concept of poetry, from Breitinger and Sulzer to the classical age. \/ Au c\u0153ur de la th\u00e9orie po\u00e9tique expos\u00e9e par Lodovico Muratori dans son ouvrage <em>Della perfetta poesia italiana<\/em>, on retrouve l\u2019antagonisme entre l\u2019obligation du po\u00e8te \u00e0 imiter la nature et sa capacit\u00e9 \u00e0 \u00bbdonner \u00e0 un rien \u00e9th\u00e9r\u00e9 une habitation locale et un nom\u00ab, comme l\u2019exprime Shakespeare en ces termes. Cet essai retrace les diff\u00e9rents aspects de la r\u00e9ception de la notion de fantasia de Muratori en Allemagne ainsi que l\u2019impact qu\u2019elle a eu sur la transformation du concept de la po\u00e9sie, de Breitinger et Sulzer jusqu\u2019\u00e0 la p\u00e9riode classique. <\/div><noscript><div class=\"spoiler-body\"> Central to Muratori\u2019s poetical theory in Della perfetta poesia italiana is the antagonism between the poet\u2019s obligation to imitate nature, and his ability to \u2013 in Shakespeare\u2019s words \u2013 \u00bbgive to airy nothing a local habitation and a name\u00ab. This essay traces aspects of the reception of Muratori\u2019s concept of fantasia in Germany and its impact on the change in the concept of poetry, from Breitinger and Sulzer to the classical age. \/ Au c\u0153ur de la th\u00e9orie po\u00e9tique expos\u00e9e par Lodovico Muratori dans son ouvrage <em>Della perfetta poesia italiana<\/em>, on retrouve l\u2019antagonisme entre l\u2019obligation du po\u00e8te \u00e0 imiter la nature et sa capacit\u00e9 \u00e0 \u00bbdonner \u00e0 un rien \u00e9th\u00e9r\u00e9 une habitation locale et un nom\u00ab, comme l\u2019exprime Shakespeare en ces termes. Cet essai retrace les diff\u00e9rents aspects de la r\u00e9ception de la notion de fantasia de Muratori en Allemagne ainsi que l\u2019impact qu\u2019elle a eu sur la transformation du concept de la po\u00e9sie, de Breitinger et Sulzer jusqu\u2019\u00e0 la p\u00e9riode classique. <\/div><\/noscript><\/div><\/div><\/li><li>Till Kinzel: Muratori und die deutsche Operndiskussion. Eine Spurensuche zur Muratori-Rezeption im Kontext der Operndebatte des 18. Jahrhunderts von Gottsched und Mattheson bis zu Lessing und Grillparzer. S. 144-154 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> The German debate about opera ranged across many decades and employed various older writers\u2019 texts. Foremost among them was the critique of opera put forth by Lodovico Muratori, which became a key point of reference for Gottsched, Mattheson and Mizler as contributors to the often polemical discussion about the aesthetics of opera. Even though later the debate became less contentious, even writers like Lessing and Grillparzer still addressed the issue in terms that go back to Muratori\u2019s views. \/ Le d\u00e9bat allemand sur l\u2019op\u00e9ra s\u2019est \u00e9tendu sur plusieurs d\u00e9cennies et s\u2019est appuy\u00e9 sur diff\u00e9rents textes d\u2019\u00e9crivains plus anciens. Le principal d\u2019entre eux \u00e9tait la critique de l\u2019op\u00e9ra d\u00e9velopp\u00e9e par Lodovico Muratori, qui est devenue un point de r\u00e9f\u00e9rence cl\u00e9 pour Gottsched, Mattheson et Mizler en tant que contributeurs \u00e0 la discussion souvent pol\u00e9mique sur l\u2019esth\u00e9tique de l\u2019op\u00e9ra. M\u00eame si, plus tard, le d\u00e9bat est devenu moins contentieux, des \u00e9crivains comme Lessing et Grillparzer ont encore abord\u00e9 la question en des termes qui prennent racine dans les positions de Muratori. <\/div><noscript><div class=\"spoiler-body\"> The German debate about opera ranged across many decades and employed various older writers\u2019 texts. Foremost among them was the critique of opera put forth by Lodovico Muratori, which became a key point of reference for Gottsched, Mattheson and Mizler as contributors to the often polemical discussion about the aesthetics of opera. Even though later the debate became less contentious, even writers like Lessing and Grillparzer still addressed the issue in terms that go back to Muratori\u2019s views. \/ Le d\u00e9bat allemand sur l\u2019op\u00e9ra s\u2019est \u00e9tendu sur plusieurs d\u00e9cennies et s\u2019est appuy\u00e9 sur diff\u00e9rents textes d\u2019\u00e9crivains plus anciens. Le principal d\u2019entre eux \u00e9tait la critique de l\u2019op\u00e9ra d\u00e9velopp\u00e9e par Lodovico Muratori, qui est devenue un point de r\u00e9f\u00e9rence cl\u00e9 pour Gottsched, Mattheson et Mizler en tant que contributeurs \u00e0 la discussion souvent pol\u00e9mique sur l\u2019esth\u00e9tique de l\u2019op\u00e9ra. M\u00eame si, plus tard, le d\u00e9bat est devenu moins contentieux, des \u00e9crivains comme Lessing et Grillparzer ont encore abord\u00e9 la question en des termes qui prennent racine dans les positions de Muratori. <\/div><\/noscript><\/div><\/div><\/li><li>Benedikt Le\u00dfmann: Muratori als Standard. Intertextualit\u00e4t und Verteidigung der Oper bei Christian Gottfried Krause. S. 155-166 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> In his <em>Della perfetta poesia italiana<\/em> (1706), Muratori voiced a harsh criticism of opera that became a standard of the German opera debate in the eighteenth century, evidenced by numerous quotes and mentions. Christian Gottfried Krause\u2019s Von der musikalischen Poesie (1752) is a vivid example of this. This book, a discussion of aesthetic problems in vocal music, contains quotes and borrowings from many authors, including Muratori, whose refusal of opera is countered by Krause. \/ Dans son trait\u00e9 <em>Della perfetta poesia italiana<\/em> (1706), Muratori se livre \u00e0 une critique acerbe de l\u2019op\u00e9ra qui devient un paradigme du d\u00e9bat allemand sur l\u2019op\u00e9ra au XVIII<sup>e<\/sup> si\u00e8cle, comme en t\u00e9moignent de nombreuses citations et mentions. L\u2019ouvrage Von der musikalischen Poesie (1752) de Christian Gottfried Krause en est un exemple probant. Ce livre \u2013 une discussion sur les probl\u00e8mes esth\u00e9tiques de la musique vocale \u2013 contient des citations ainsi que des emprunts \u00e0 de nombreux auteurs, y compris Muratori dont le refus de l\u2019op\u00e9ra est contr\u00e9 par Krause. <\/div><noscript><div class=\"spoiler-body\"> In his <em>Della perfetta poesia italiana<\/em> (1706), Muratori voiced a harsh criticism of opera that became a standard of the German opera debate in the eighteenth century, evidenced by numerous quotes and mentions. Christian Gottfried Krause\u2019s Von der musikalischen Poesie (1752) is a vivid example of this. This book, a discussion of aesthetic problems in vocal music, contains quotes and borrowings from many authors, including Muratori, whose refusal of opera is countered by Krause. \/ Dans son trait\u00e9 <em>Della perfetta poesia italiana<\/em> (1706), Muratori se livre \u00e0 une critique acerbe de l\u2019op\u00e9ra qui devient un paradigme du d\u00e9bat allemand sur l\u2019op\u00e9ra au XVIII<sup>e<\/sup> si\u00e8cle, comme en t\u00e9moignent de nombreuses citations et mentions. L\u2019ouvrage Von der musikalischen Poesie (1752) de Christian Gottfried Krause en est un exemple probant. Ce livre \u2013 une discussion sur les probl\u00e8mes esth\u00e9tiques de la musique vocale \u2013 contient des citations ainsi que des emprunts \u00e0 de nombreux auteurs, y compris Muratori dont le refus de l\u2019op\u00e9ra est contr\u00e9 par Krause. <\/div><\/noscript><\/div><\/div><\/li><li>Harm Klueting: Muratori und Salzburg. S. 167-180 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> This article deals with the influence of the Italian priest, scholar, historian, and leading figure of eighteenth-century Italian Reform Catholicism or Jansenism (\u203aFilogiansenismo\u2039) L. A. Muratori on the aristocratic, ecclesiastical and academic elites in Austria and in the Archbishopric of Salzburg. The author shows that Leopold Mozart\u2019s Salzburg was one of the most important gateways of Muratori\u2019s influence on Austria. Leopold Mozart owned two of Muratori\u2019s books, but we do not know the titles. \/ Cet article traite de l\u2019influence de L. A. Muratori \u2013 pr\u00eatre italien, \u00e9rudit, historien et figure de proue de la R\u00e9forme catholique italienne du XVIII<sup>e <\/sup>si\u00e8cle ou jans\u00e9nisme (\u203aFilogiansenismo\u2039) \u2013 sur les \u00e9lites aristocratiques, eccl\u00e9siastiques et universitaires en Autriche et dans l\u2019archev\u00each\u00e9 de Salzbourg. L\u2019auteur d\u00e9montre que Salzbourg, \u00e0 l\u2019\u00e9poque de Leopold Mozart, fut l\u2019un des principaux canaux par lesquels l\u2019influence de Muratori a pu atteindre l\u2019Autriche. Leopold Mozart poss\u00e9dait deux livres de Muratori, dont nous ne connaissons toutefois pas les titres. <\/div><noscript><div class=\"spoiler-body\"> This article deals with the influence of the Italian priest, scholar, historian, and leading figure of eighteenth-century Italian Reform Catholicism or Jansenism (\u203aFilogiansenismo\u2039) L. A. Muratori on the aristocratic, ecclesiastical and academic elites in Austria and in the Archbishopric of Salzburg. The author shows that Leopold Mozart\u2019s Salzburg was one of the most important gateways of Muratori\u2019s influence on Austria. Leopold Mozart owned two of Muratori\u2019s books, but we do not know the titles. \/ Cet article traite de l\u2019influence de L. A. Muratori \u2013 pr\u00eatre italien, \u00e9rudit, historien et figure de proue de la R\u00e9forme catholique italienne du XVIII<sup>e <\/sup>si\u00e8cle ou jans\u00e9nisme (\u203aFilogiansenismo\u2039) \u2013 sur les \u00e9lites aristocratiques, eccl\u00e9siastiques et universitaires en Autriche et dans l\u2019archev\u00each\u00e9 de Salzbourg. L\u2019auteur d\u00e9montre que Salzbourg, \u00e0 l\u2019\u00e9poque de Leopold Mozart, fut l\u2019un des principaux canaux par lesquels l\u2019influence de Muratori a pu atteindre l\u2019Autriche. Leopold Mozart poss\u00e9dait deux livres de Muratori, dont nous ne connaissons toutefois pas les titres. <\/div><\/noscript><\/div><\/div><\/li><li>Carsten Zelle: Richerz\u2019 \u00dcbersetzung von Muratoris <em>Della forza della fantasia umana<\/em> im Kontext der deutschsprachigen Sp\u00e4taufkl\u00e4rung. S. 181-194 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> The paper places the translation of Muratori\u2019s fantasia treatise (1745) by the G\u00f6ttingen university preacher Richerz (1785) in the context of criticism of Kant\u2019s transcendental philosophy in the 1780s. Richerz\u2019s position was closely integrated into a science of man, which, initiated by Haller and Hollmann, was represented by Hi\u00dfmann, Meiners, Feder and others in the late Enlightenment circle in G\u00f6ttingen. Muratori\u2019s concept of an imagination conceived in a physical way was taken up within this circle at a very early stage. \/ L\u2019article place la traduction comment\u00e9e de l\u2019\u0153uvre fantasia treatise (1745) de Muratori par le pr\u00e9dicateur universitaire de G\u00f6ttingen Richerz (1785) dans le contexte de la critique de la philosophie transcendantale de Kant dans les ann\u00e9es 1780. La position de Richerz \u00e9tait \u00e9troitement ancr\u00e9e dans une science de l\u2019Homme qui, sous l\u2019impulsion de Haller et Hollmann, a \u00e9t\u00e9 d\u00e9fendue par Hi\u00dfmann, Meiners, Feder et d\u2019autres dans le cercle des Lumi\u00e8res tardives \u00e0 G\u00f6ttingen. Le concept d\u2019une imagination con\u00e7ue de fa\u00e7on physique, \u00e9nonc\u00e9 par Muratori, a tr\u00e8s t\u00f4t \u00e9t\u00e9 repris au sein de ce cercle. <\/div><noscript><div class=\"spoiler-body\"> The paper places the translation of Muratori\u2019s fantasia treatise (1745) by the G\u00f6ttingen university preacher Richerz (1785) in the context of criticism of Kant\u2019s transcendental philosophy in the 1780s. Richerz\u2019s position was closely integrated into a science of man, which, initiated by Haller and Hollmann, was represented by Hi\u00dfmann, Meiners, Feder and others in the late Enlightenment circle in G\u00f6ttingen. Muratori\u2019s concept of an imagination conceived in a physical way was taken up within this circle at a very early stage. \/ L\u2019article place la traduction comment\u00e9e de l\u2019\u0153uvre fantasia treatise (1745) de Muratori par le pr\u00e9dicateur universitaire de G\u00f6ttingen Richerz (1785) dans le contexte de la critique de la philosophie transcendantale de Kant dans les ann\u00e9es 1780. La position de Richerz \u00e9tait \u00e9troitement ancr\u00e9e dans une science de l\u2019Homme qui, sous l\u2019impulsion de Haller et Hollmann, a \u00e9t\u00e9 d\u00e9fendue par Hi\u00dfmann, Meiners, Feder et d\u2019autres dans le cercle des Lumi\u00e8res tardives \u00e0 G\u00f6ttingen. Le concept d\u2019une imagination con\u00e7ue de fa\u00e7on physique, \u00e9nonc\u00e9 par Muratori, a tr\u00e8s t\u00f4t \u00e9t\u00e9 repris au sein de ce cercle. <\/div><\/noscript><\/div><\/div><\/li><li>Angelika Dreyer: Muratori trifft Diderot \u2013 Muratoris geschichtswissenschaftliche Reform und deren Visualisierung in der s\u00fcddeutschen Deckenmalerei. S. 195-208 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> A ceiling painting by Johann Baptist Baader in the library hall of Polling Abbey in Bavaria adapts motifs and some aspects of the frontispieces of Muratori\u2019s <em>Antiquitates Italicae Medii Aevi<\/em> as well as Diderot\u2019s <em>Encyclop\u00e9die<\/em>. The starting point for this was the great interest of provost Eusebius Amort in the new historical method of research in accordance with the <em>Scuola Mabillona<\/em>. \/ Une peinture de plafond de Johann Baptist Baader, dans la biblioth\u00e8que de l\u2019abbaye de Polling en Bavi\u00e8re, adapte des motifs et certains aspects des frontispices de <em>L\u2019Antiquitates Italicae Medii Aevi de Muratori<\/em> et de <em>L\u2019Encyclop\u00e9die<\/em> de Diderot. Le point de d\u00e9part est parti du vif int\u00e9r\u00eat que portait le pr\u00e9v\u00f4t Eusebius Amort \u00e0 la nouvelle m\u00e9thode de recherche historique dans l\u2019esprit de la <em>Scuola Mabillona<\/em>. <\/div><noscript><div class=\"spoiler-body\"> A ceiling painting by Johann Baptist Baader in the library hall of Polling Abbey in Bavaria adapts motifs and some aspects of the frontispieces of Muratori\u2019s <em>Antiquitates Italicae Medii Aevi<\/em> as well as Diderot\u2019s <em>Encyclop\u00e9die<\/em>. The starting point for this was the great interest of provost Eusebius Amort in the new historical method of research in accordance with the <em>Scuola Mabillona<\/em>. \/ Une peinture de plafond de Johann Baptist Baader, dans la biblioth\u00e8que de l\u2019abbaye de Polling en Bavi\u00e8re, adapte des motifs et certains aspects des frontispices de <em>L\u2019Antiquitates Italicae Medii Aevi de Muratori<\/em> et de <em>L\u2019Encyclop\u00e9die<\/em> de Diderot. Le point de d\u00e9part est parti du vif int\u00e9r\u00eat que portait le pr\u00e9v\u00f4t Eusebius Amort \u00e0 la nouvelle m\u00e9thode de recherche historique dans l\u2019esprit de la <em>Scuola Mabillona<\/em>. <\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<p><strong>Aus der Forschung<\/strong><\/p>\n\n\n\n<ul><li>Jana Kittelmann \u00fcber Maximilian Bach: Karl Wilhelm Ramler. Gelegenheitspanegyrik als Literatur- und Kunstpolitik (2022)<\/li><li>Friedrich von Waitz \u00fcber David Schulz: Die Natur der Geschichte. Die Entdeckung der geologischen Tiefenzeit und die Geschichtskonzeptionen zwischen Aufkl\u00e4rung und Moderne (2020)<\/li><li>Franz St\u00fcckemann \u00fcber Anna Louisa Karsch: Briefe und Gedichte. Hg. v. Claudia Brandt u. Ute Pott (2022)<\/li><li>Isabella Ferron \u00fcber Hanna Hamel: \u00dcberg\u00e4ngliche Natur. Kant, Herder, Goethe und die Gegenwart des Klimas (2021)<\/li><li>Norman Kasper \u00fcber Lore Knapp: Empirismus und \u00c4sthetik. Zur deutschsprachigen Rezeption von Hume, Hutcheson, Home und Burke im 18. Jahrhundert (2022)<\/li><li>Joachim Scholz \u00fcber Christian Soboth (Hg.): Johann Adam Steinmetz und Kloster Berge. Zwei Institutionen im 18. Jahrhundert (2021)<\/li><li>Markus Christopher M\u00fcller \u00fcber Schweizerisches Nationalmuseum (Hg.): Barock. Zeitalter der Kontraste (2022)<\/li><li>Vanessa de Senarclens \u00fcber Nicolas de Condorcet: Vie de Voltaire. Hg. v. Linda Gil (2022)<\/li><li>Angelika Dreyer \u00fcber Anthony Vidler: Claude-Nicolas Ledoux (2021)<\/li><li>J\u00fcrgen Overhoff \u00fcber Sven Externbrink: Ludwig XIV. K\u00f6nig im gro\u00dfen Welttheater (2021)<\/li><li>Baptiste Baumann \u00fcber Uwe Hentschel: Voyageurs allemands sur les traces de Rousseau (2022)<\/li><li>Friederike Ott \u00fcber Clorinada Donato u. Hans-J\u00fcrgen L\u00fcsebrink (Hg.): Translation and Transfer of Knowledge in Encyclopedic Compilations, 1680-1830 (2021)<\/li><li>Thomas Gil \u00fcber Johannes Rohbeck: Moderne Aufkl\u00e4rung. Erkenntnisse f\u00fcr die Krisen der Gegenwart (2023)<\/li><li>Jana Kittelmann \u00fcber Cord-Friedrich Berghahn, Kai Bremer u. Peter Burschel (Hg.): Lessing digital. Studien f\u00fcr eine historisch-kritische Neuedition (2023)<\/li><li>Frank St\u00fcckemann \u00fcber Fritz Achelp\u00f6hler: K\u00f6nig, Kirche, Ravensberg: Die Errichtung der autorit\u00e4ren Monarchie Friedrich Wilhelms III. im preu\u00dfischen Staat und in der evangelischen Kirche (2023)<\/li><li>Benedikt Brunner \u00fcber Rhys Bezzant (Hg.): Edwards, Germany and Transatlantic Contexts (2022)<\/li><li>Jenny K\u00f6rber \u00fcber Peter Hersche: Kirchen als Gemeinschaftswerk. Zu den wirtschaftlichen und sozialen Grundlagen fr\u00fchneuzeitlichen Sakralbaus (2022)<\/li><li>Hendrik Holzm\u00fcller \u00fcber Feike Dietz: Lettering Young Readers in the Dutch Enlightenment. Literacy, Agency and Progress in Eighteenth-Century Children\u2019s Books (2021)<\/li><li>Simone Austermann \u00fcber Paul Wolfgang Merkel: Tageb\u00fccher. Hg. v. Michael Diefenbacher, Alice Olaru u. Georg Seiderer (2022)<\/li><li>Annika Raapke \u00fcber Jeffrey M. Leichman u. Karine B\u00e9nac-Giroux (Hg.): Colonialism and Slavery in Performance. Theatre and the Eighteenth-Century French Caribbean (2021)<\/li><li>Clemens Schwaiger \u00fcber Gualtiero Lorini: Die anthropologische Normativit\u00e4t bei Kant (2023)<\/li><\/ul>\n\n\n\n<p><strong>Sonstiges<\/strong><\/p>\n\n\n\n<p>Eingegangene B\u00fccher<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jahrgang 47 (2023) Heft 2 Heft2 (2023) Jahrgang47 Konzipiert von Esma Cerkovnik Aus der Arbeit der DGEJ Zu diesem Heft (Stefanie Stockhorst) Rassismus und Weltwissen. Praktiken, Diskurse und Episteme der deutschen Aufkl\u00e4rung. Jahrestagung der DGEJ vom 13. bis 15. September 2023 in Wolfenb\u00fcttel (Tim Brown und Alexandra Dempe) Beitr\u00e4ge Esma Cerkovnik: Einleitung. S. 125-126 Wolfgang Pro\u00df: \u00bbBilder von Dingen, die<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/dgej.hab.de\/index.php\/2023\/12\/05\/muratori-aesthetik-musik-resonanzen-in-der-deutschsprachigen-aufklaerung\/\">Weiterlesen<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1884"}],"collection":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/comments?post=1884"}],"version-history":[{"count":3,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1884\/revisions"}],"predecessor-version":[{"id":1965,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1884\/revisions\/1965"}],"wp:attachment":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/media?parent=1884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/categories?post=1884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/tags?post=1884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}