{"id":1733,"date":"2023-03-28T07:52:44","date_gmt":"2023-03-28T07:52:44","guid":{"rendered":"https:\/\/dgej.hab.de\/?p=1733"},"modified":"2023-05-04T11:42:19","modified_gmt":"2023-05-04T11:42:19","slug":"anna-louisa-karsch-edition-und-oeffentlichkeit","status":"publish","type":"post","link":"https:\/\/dgej.hab.de\/index.php\/2023\/03\/28\/anna-louisa-karsch-edition-und-oeffentlichkeit\/","title":{"rendered":"Anna Louisa Karsch: Edition und \u00d6ffentlichkeit"},"content":{"rendered":"\n<h1>Jahrgang 46 (2022) Heft 2<\/h1>\n\n\n\n<p><strong>Heft<\/strong><br>2 (2022)<\/p>\n\n\n\n<p><strong>Jahrgang<\/strong><br>46<\/p>\n\n\n\n<p>Konzipiert von Nacim Ghanbari und Annika Hildebrandt<\/p>\n\n\n\n<p><strong>Aus der Arbeit der DGEJ<\/strong><\/p>\n\n\n\n<ul id=\"block-97369b5a-ccbd-4fe0-8c7e-04f38617ec0b\"><li>Zu diesem Heft (Stefanie Stockhorst)<\/li><li>Das Erbe der Aufkl\u00e4rung: Aktualit\u00e4t, Historiographie und Re-Lekt\u00fcren\/ L\u2019h\u00e9ritage des Lumi\u00e8res: actualit\u00e9s, historiographies et relectures. Tagung der Deutschen Gesellschaft f\u00fcr die Erforschung des 18. Jahrhunderts vom 8. bis 10. September 2022 an der Universit\u00e4t Augsburg (Hendrik Holzm\u00fcller)<\/li><\/ul>\n\n\n\n<p><strong>Beitr\u00e4ge<\/strong><\/p>\n\n\n\n<ul><li>Nacim Ghanbari, Annika Hildebrandt: Einleitung. Anna Louisa Karsch: Edition und \u00d6ffentlichkeit. <br>S. 131-137<\/li><\/ul>\n\n\n\n<ul><li>Nacim Ghanbari, Annika Hildebrandt: Gespr\u00e4ch mit Regina N\u00f6rtemann und Ute Pott \u00fcber die Briefausgabe \u00bb<em>Mein Bruder in Apoll<\/em>\u00ab (1996). S. 138-150<\/li><\/ul>\n\n\n\n<ul><li>Erika Thomalla: Edierte Natur. Anna Louisa Karschs <em>Auserlesene Gedichte<\/em> (1764) in der literarischen \u00d6ffentlichkeit des 18. Jahrhunderts. S. 151-163 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> The essay argues that Karsch\u2019s Auserlesene Gedichte mediate between different literary cultures. While a large part of the texts was originally occasion-related poems, the editors Gleim, Sulzer, and Bachmann attempted to present them not as occasional or commissioned works but as expressions of natural senti\u0002ment. In the long term, however, Karsch found herself in a role conflict between her image as a writer of natural poetry on the one hand and occasional poetry on the other. \/ L\u2019essai soutient que les Auserlesene Gedichte de Karsch servent de m\u00e9diation entre diff\u00e9rentes cultures litt\u00e9raires. Alors qu\u2019une grande partie des textes \u00e9taient originairement des po\u00e8mes occasionnels, les \u00e9diteurs Gleim, Sulzer et Bachmann ont tent\u00e9 de les pr\u00e9senter non pas comme des travaux d\u2019occasion ou de commande, mais comme des expressions de sentiments naturels. Cependant, \u00e0 long terme, Karsch s\u2019est trouv\u00e9e prise dans un conflit de r\u00f4les entre son image d\u2019\u00e9crivaine de po\u00e9sie naturelle et celle d\u2019\u00e9crivaine de po\u00e9sie occasionnelle. <\/div><noscript><div class=\"spoiler-body\"> The essay argues that Karsch\u2019s Auserlesene Gedichte mediate between different literary cultures. While a large part of the texts was originally occasion-related poems, the editors Gleim, Sulzer, and Bachmann attempted to present them not as occasional or commissioned works but as expressions of natural senti\u0002ment. In the long term, however, Karsch found herself in a role conflict between her image as a writer of natural poetry on the one hand and occasional poetry on the other. \/ L\u2019essai soutient que les Auserlesene Gedichte de Karsch servent de m\u00e9diation entre diff\u00e9rentes cultures litt\u00e9raires. Alors qu\u2019une grande partie des textes \u00e9taient originairement des po\u00e8mes occasionnels, les \u00e9diteurs Gleim, Sulzer et Bachmann ont tent\u00e9 de les pr\u00e9senter non pas comme des travaux d\u2019occasion ou de commande, mais comme des expressions de sentiments naturels. Cependant, \u00e0 long terme, Karsch s\u2019est trouv\u00e9e prise dans un conflit de r\u00f4les entre son image d\u2019\u00e9crivaine de po\u00e9sie naturelle et celle d\u2019\u00e9crivaine de po\u00e9sie occasionnelle. <\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<ul><li>Tobias Heinrich: \u00bbOb Sappho f\u00fcr den Ruhm schreibt?\u00ab Anna Louisa Karsch als Celebrity. <br>S. 164-175 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> This article explores the social and discursive conditions of Anna Louisa Karsch\u2019s public fame. It analyses the attempts to transfer the poet\u2019s performative qualities onto the artifact of the printed book and the creation of Karsch\u2019s public image within an emerging celebrity culture. Finally, the article examines the challenges of female celebrity in the eighteenth century through the example of Karsch\u2019s <em>Sapphische Lieder<\/em>. \/ Cet article explore les conditions sociales et discursives de la renomm\u00e9e publique d\u2019Anna Louisa Karsch. Il analyse les tentatives entreprises pour transf\u00e9rer les qualit\u00e9s performatives de la po\u00e8te sur l\u2019artefact du livre imprim\u00e9 ainsi que la cr\u00e9ation de l\u2019image publique de Karsch dans le cadre d\u2019une \u203aculture de la c\u00e9l\u00e9brit\u00e9\u2039 \u00e9mergente. Enfin, l\u2019article examine les enjeux de la c\u00e9l\u00e9brit\u00e9 f\u00e9minine au XVIIIe si\u00e8cle \u00e0 travers l\u2019exemple des <em>Sapphische Lieder<\/em> de Karsch.<\/div><noscript><div class=\"spoiler-body\"> This article explores the social and discursive conditions of Anna Louisa Karsch\u2019s public fame. It analyses the attempts to transfer the poet\u2019s performative qualities onto the artifact of the printed book and the creation of Karsch\u2019s public image within an emerging celebrity culture. Finally, the article examines the challenges of female celebrity in the eighteenth century through the example of Karsch\u2019s <em>Sapphische Lieder<\/em>. \/ Cet article explore les conditions sociales et discursives de la renomm\u00e9e publique d\u2019Anna Louisa Karsch. Il analyse les tentatives entreprises pour transf\u00e9rer les qualit\u00e9s performatives de la po\u00e8te sur l\u2019artefact du livre imprim\u00e9 ainsi que la cr\u00e9ation de l\u2019image publique de Karsch dans le cadre d\u2019une \u203aculture de la c\u00e9l\u00e9brit\u00e9\u2039 \u00e9mergente. Enfin, l\u2019article examine les enjeux de la c\u00e9l\u00e9brit\u00e9 f\u00e9minine au XVIIIe si\u00e8cle \u00e0 travers l\u2019exemple des <em>Sapphische Lieder<\/em> de Karsch.<\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<ul><li>Corinna Dziudzia: Von Distanz und N\u00e4he. Anna Louisa Karsch und die Tradition der <em>poetria laureata<\/em>. <br>S. 176-188 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> The paper examines the question of the transmission of knowledge in the case of female writers, and especially Karsch\u2019s role within it. While Karsch\u2019s works have received almost continuous editions, the female poets of the generation preceding her, in particular, have increasingly fallen into oblivion. One reason for this seems to be that they were considered \u203alearned women\u2039 \u2013 in contrast to Karsch herself. \/ L\u2019article se penche sur la question de la transmission du savoir dans le cas des femmes \u00e9crivaines et, plus particuli\u00e8rement, sur le r\u00f4le qu\u2019y a jou\u00e9 Karsch. Alors que les \u0153uvres de Karsch ont fait l\u2019objet d\u2019\u00e9ditions pratiquement continues, les femmes po\u00e8tes de la g\u00e9n\u00e9ration l\u2019ayant pr\u00e9c\u00e9d\u00e9e, en particulier, sont tomb\u00e9es de plus en plus dans l\u2019oubli. L\u2019une des raisons \u00e0 cela semble \u00eatre qu\u2019elles \u00e9taient consid\u00e9r\u00e9es comme des \u203afemmes savantes\u2039, contrairement \u00e0 Karsch elle-m\u00eame.<\/div><noscript><div class=\"spoiler-body\"> The paper examines the question of the transmission of knowledge in the case of female writers, and especially Karsch\u2019s role within it. While Karsch\u2019s works have received almost continuous editions, the female poets of the generation preceding her, in particular, have increasingly fallen into oblivion. One reason for this seems to be that they were considered \u203alearned women\u2039 \u2013 in contrast to Karsch herself. \/ L\u2019article se penche sur la question de la transmission du savoir dans le cas des femmes \u00e9crivaines et, plus particuli\u00e8rement, sur le r\u00f4le qu\u2019y a jou\u00e9 Karsch. Alors que les \u0153uvres de Karsch ont fait l\u2019objet d\u2019\u00e9ditions pratiquement continues, les femmes po\u00e8tes de la g\u00e9n\u00e9ration l\u2019ayant pr\u00e9c\u00e9d\u00e9e, en particulier, sont tomb\u00e9es de plus en plus dans l\u2019oubli. L\u2019une des raisons \u00e0 cela semble \u00eatre qu\u2019elles \u00e9taient consid\u00e9r\u00e9es comme des \u203afemmes savantes\u2039, contrairement \u00e0 Karsch elle-m\u00eame.<\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<ul><li>Ute Pott: \u00bbSo bekannt der Name der Dichterin Karschin ist \u2026\u00ab. Werk und Leben von Anna Louisa Karsch in Publikationen ihrer Tochter Caroline Luise von Klencke und ihrer Enkelin Helmina von Ch\u00e9zy. <br>S. 189-201 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> What is \u203athe work\u2039 of Anna Louisa Karsch? The article looks at the beginnings of Karsch\u2019s posthumous reception and examines two central factors: on the one hand, the publications of her daughter and granddaughter, which have been formative for the image of Karsch and her poetry in literary historiography; on the other hand, the role of Johann Wilhelm Ludwig Gleim and his archive, where most of Karsch\u2019s manuscripts can still be found today. \/ Qu\u2019est-ce que \u203al\u2019\u0153uvre\u2039 d\u2019Anna Louisa Karsch ? L\u2019article se penche sur les d\u00e9buts de la r\u00e9ception posthume de Karsch et examine deux facteurs centraux : d\u2019une part, les publications de sa fille et de sa petite-fille qui ont form\u00e9 de mani\u00e8re d\u00e9terminante l\u2019image de Karsch et de sa po\u00e9sie dans l\u2019historiographie litt\u00e9raire ; d\u2019autre part, le r\u00f4le de Johann Wilhelm Ludwig Gleim et de ses archives dans lesquelles la plupart des manuscrits de Karsch se trouvent encore aujourd\u2019hui.<\/div><noscript><div class=\"spoiler-body\"> What is \u203athe work\u2039 of Anna Louisa Karsch? The article looks at the beginnings of Karsch\u2019s posthumous reception and examines two central factors: on the one hand, the publications of her daughter and granddaughter, which have been formative for the image of Karsch and her poetry in literary historiography; on the other hand, the role of Johann Wilhelm Ludwig Gleim and his archive, where most of Karsch\u2019s manuscripts can still be found today. \/ Qu\u2019est-ce que \u203al\u2019\u0153uvre\u2039 d\u2019Anna Louisa Karsch ? L\u2019article se penche sur les d\u00e9buts de la r\u00e9ception posthume de Karsch et examine deux facteurs centraux : d\u2019une part, les publications de sa fille et de sa petite-fille qui ont form\u00e9 de mani\u00e8re d\u00e9terminante l\u2019image de Karsch et de sa po\u00e9sie dans l\u2019historiographie litt\u00e9raire ; d\u2019autre part, le r\u00f4le de Johann Wilhelm Ludwig Gleim et de ses archives dans lesquelles la plupart des manuscrits de Karsch se trouvent encore aujourd\u2019hui.<\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<ul><li>Anke Jaspers: Anna Louisa Karsch in der DDR. Zur Ausgabe von Gerhard Wolf im <em>M\u00e4rkischen Dichtergarten<\/em>. S. 202-218 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> The article deals with the genesis, conception and reception of Anna Louisa Karsch\u2019s <em>Gedichte und Briefe<\/em> (1981), edited by the author Gerhard Wolf. In the context of the series of the <em>M\u00e4rkischer Dichtergarten<\/em>, Karsch was re-established as a spirited Prussian folk poet and gifted letter-writer. Appearing a few years after Wolf Biermann\u2019s expatriation, this edition belongs to the \u00bbGespr\u00e4chsraum Romantik\u00ab, which expanded the East German literary canon from the end of the 1960s onwards. \/ L\u2019article traite de la gen\u00e8se, de la conception et de la r\u00e9ception des <em>Gedichte und Briefe<\/em> (1981) d\u2019Anna Louisa Karsch \u00e9dit\u00e9s par l\u2019auteur Gerhard Wolf. Dans le contexte de la s\u00e9rie du <em>M\u00e4rkischer Dichtergarten<\/em>, Karsch a \u00e9t\u00e9 r\u00e9habilit\u00e9e en tant que po\u00e8te populaire prussienne pleine d\u2019esprit et \u00e9pistoli\u00e8re de talent. Quelques ann\u00e9es apr\u00e8s l\u2019expatriation de Wolf Biermann, le travail sur Karsch fait partie de la \u00bbGespr\u00e4chsraum Romantik\u00ab qui a \u00e9largi le canon litt\u00e9raire est-allemand \u00e0 partir de la fin des ann\u00e9es 1960.<\/div><noscript><div class=\"spoiler-body\"> The article deals with the genesis, conception and reception of Anna Louisa Karsch\u2019s <em>Gedichte und Briefe<\/em> (1981), edited by the author Gerhard Wolf. In the context of the series of the <em>M\u00e4rkischer Dichtergarten<\/em>, Karsch was re-established as a spirited Prussian folk poet and gifted letter-writer. Appearing a few years after Wolf Biermann\u2019s expatriation, this edition belongs to the \u00bbGespr\u00e4chsraum Romantik\u00ab, which expanded the East German literary canon from the end of the 1960s onwards. \/ L\u2019article traite de la gen\u00e8se, de la conception et de la r\u00e9ception des <em>Gedichte und Briefe<\/em> (1981) d\u2019Anna Louisa Karsch \u00e9dit\u00e9s par l\u2019auteur Gerhard Wolf. Dans le contexte de la s\u00e9rie du <em>M\u00e4rkischer Dichtergarten<\/em>, Karsch a \u00e9t\u00e9 r\u00e9habilit\u00e9e en tant que po\u00e8te populaire prussienne pleine d\u2019esprit et \u00e9pistoli\u00e8re de talent. Quelques ann\u00e9es apr\u00e8s l\u2019expatriation de Wolf Biermann, le travail sur Karsch fait partie de la \u00bbGespr\u00e4chsraum Romantik\u00ab qui a \u00e9largi le canon litt\u00e9raire est-allemand \u00e0 partir de la fin des ann\u00e9es 1960.<\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<p><strong>Aus der Forschung<\/strong><\/p>\n\n\n\n<ul><li>Kai Torsten Kanz \u00fcber Alexander St\u00f6ger: Epistemische Tugenden im deutschen und britischen Galvanismusdiskurs um 1800 (2021)<\/li><li>Maximilian Bach \u00fcber Martin Mulsow: Radikale Fr\u00fchaufkl\u00e4rung in Deutschland. 1680-1720. Bd. 1: Moderne aus dem Untergrund. Bd. 2: Clandestine Vernunft (2018)<\/li><li>Peter He\u00dfelmann \u00fcber Marion Linhardt: Stereotyp und Imagination. Das \u203at\u00fcrkische\u2039 B\u00fchnenkost\u00fcm im europ\u00e4ischen Theater vom Barock bis zum fr\u00fchen Historismus (2021)<\/li><li>Barry Murnane \u00fcber Heinrich Bosse: Medien, Institutionen und literarische Praktiken der Aufkl\u00e4rung (2021)<\/li><li>Simon Portmann \u00fcber Markus Christopher M\u00fcller: Ein Gelehrter am M\u00fcnchener Hof. Die Tageb\u00fccher des Andreas Felix von Oefele (1706-1780) (2020)<\/li><li>Nikolas Immer \u00fcber Johanne Charlotte Unzer: Versuch in Scherzgedichten. Hg. v. Michael Multhammer (2021)<\/li><li>Frank G\u00f6se \u00fcber Klaus-J\u00fcrgen Bremm: Kunersdorf 1759. Vom milit\u00e4rischen Desaster zum moralischen Triumph (2021)<\/li><li>Carsten Zelle \u00fcber Holger Zaunst\u00f6ck u. Thomas Grunewald (Hg.): Heilen an Leib und Seele. Medizin und Hygiene im 18. Jahrhundert (2021)<\/li><li>Michael Dallapiazza \u00fcber Cord-Friedrich Berghahn, Avi Lifschitz u. Conrad Wiedemann (Hg.): J\u00fcdische und christliche Intellektuelle in Berlin um 1800. Freundschaften \u2013 Partnerschaften \u2013 Feindschaften (2021) <\/li><li>Harald Heppner \u00fcber Jochem Rudersdorf (Hg.): Francisco de Miranda, Venedig, 1785. Ein Reisebericht (2020)<\/li><li>Sylvaine H\u00e4nsel \u00fcber Bettina Baumg\u00e4rtel (Hg.): Verr\u00fcckt nach Angelika Kauffmann (2020)<\/li><li>Daniel Weidner \u00fcber Hannes Kerber: Die Aufkl\u00e4rung der Aufkl\u00e4rung. Lessing und die Herausforderung des Christentums (2021)<\/li><li>Cerstin Bauer-Funke \u00fcber Voltaire: Essai sur les m\u0153urs et l\u2019esprit des nations. Bd. I, IV-IX. Hg. v. Bruno Bernhard, John Renwick, Nicholas Chronk u. Janet Godden (2011-2019)<\/li><li>Stefan Borchers \u00fcber Angela Steidele: In M\u00e4nnerkleidern. Das verwegene Leben der Catharina Margaretha Linck alias Anastasius Lagrantinus Rosenstengel, hingerichtet 1721. Biographie und Dokumentation (2021)<\/li><li>Felix Woywode \u00fcber Martin Bojda u. Jutta Heinz (Hg.): Wezel-Jahrbuch. Studien zur europ\u00e4ischen Aufkl\u00e4rung 16\/17 (2020\/2021)<\/li><li>Julia Breittruck \u00fcber Julia Carina B\u00f6ttcher: Beobachtung als Lebensart. Praktiken der Wissensproduktion bei Forschungsreisen im 18. Jahrhundert (2020)<\/li><li>Arne Klawitter \u00fcber Johann Wilhelm Ludwig Gleim u. Johann Lorenz Benzler: Briefwechsel 1768-1783. Hg. v. Claudia Brandt (2021)<\/li><\/ul>\n\n\n\n<p><strong>Sonstiges<\/strong><\/p>\n\n\n\n<p>Eingegangene B\u00fccher<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jahrgang 46 (2022) Heft 2 Heft2 (2022) Jahrgang46 Konzipiert von Nacim Ghanbari und Annika Hildebrandt Aus der Arbeit der DGEJ Zu diesem Heft (Stefanie Stockhorst) Das Erbe der Aufkl\u00e4rung: Aktualit\u00e4t, Historiographie und Re-Lekt\u00fcren\/ L\u2019h\u00e9ritage des Lumi\u00e8res: actualit\u00e9s, historiographies et relectures. Tagung der Deutschen Gesellschaft f\u00fcr die Erforschung des 18. Jahrhunderts vom 8. bis 10. September 2022 an der Universit\u00e4t Augsburg<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/dgej.hab.de\/index.php\/2023\/03\/28\/anna-louisa-karsch-edition-und-oeffentlichkeit\/\">Weiterlesen<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1733"}],"collection":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/comments?post=1733"}],"version-history":[{"count":7,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1733\/revisions"}],"predecessor-version":[{"id":2338,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1733\/revisions\/2338"}],"wp:attachment":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/media?parent=1733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/categories?post=1733"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/tags?post=1733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}