{"id":1485,"date":"2022-06-16T10:14:35","date_gmt":"2022-06-16T10:14:35","guid":{"rendered":"https:\/\/dgej.hab.de\/?p=1485"},"modified":"2022-06-16T10:38:51","modified_gmt":"2022-06-16T10:38:51","slug":"jahrgang-46-2022-heft-1","status":"publish","type":"post","link":"https:\/\/dgej.hab.de\/index.php\/2022\/06\/16\/jahrgang-46-2022-heft-1\/","title":{"rendered":""},"content":{"rendered":"\n<h1>Jahrgang 46 (2022) Heft 1<\/h1>\n\n\n\n<p><strong>Heft<\/strong><br>1 (2022)<\/p>\n\n\n\n<p><strong>Jahrgang<\/strong><br>46<\/p>\n\n\n\n<p><strong><strong>Aus der Arbeit der DGEJ<\/strong><\/strong><\/p>\n\n\n\n<ul><li>Zu diesem Heft (Stefanie Stockhorst)<\/li><li>Racial Classification, Slavery, and Human Rights. The Impacts of the Transatlantic Order in Eighteenth-Century Germany. Deutsch-amerikanisches Panel auf der 52. Tagung der American Society for Eighteenth-Century Studies (ASECS), 31. M\u00e4rz\u201302. April 2022, in Baltimore\/MD (Sigrid G. K\u00f6hler u. Claudia Nitschke)<\/li><\/ul>\n\n\n\n<p><strong>Beitr\u00e4ge<\/strong><\/p>\n\n\n\n<ul><li>Tanja van Hoorn: Linn\u00e9 als W\u00f6rterbuch? Taxonomische Grenzgespr\u00e4che in Kr\u00fcgers <em>Tr\u00e4umen<\/em>. <br>S. 11-26 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> Johann Gottlob Kr\u00fcger\u2019s Tr\u00e4ume (1754) playfully operate within the tradition of dream satire, which they detach from the didactic context of the moral weeklies and reinterpret as allusive, vagabond-coloured tableaus. In the dream narratives, the psychomedical scientist from Halle comments on and ironises current scientific debates in an ostensibly anti-systematic manner and with this \u00bbMischmasch von lauter Thorheiten\u00ab \u2013 according to Kr\u00fcger\u2019s tongue-in-cheek self-commentary \u2013 he self-confidently opens up a space of thought between literature and knowledge while mocking the academic establishment. \/ Les Tr\u00e4ume (1754) de Johann Gottlob Kr\u00fcger s\u2019inscrivent de fa\u00e7on ludique dans la tradition de la satire du r\u00eave qu\u2019ils d\u00e9tachent du contexte didactique des Moralische Wochenschriften et r\u00e9interpr\u00e8tent sous forme de tableaux allusifs aux couleurs vagabondes. Dans les narrations oniriques, l\u2019homme de science et psycho-m\u00e9decin de Halle commente et tourne en d\u00e9rision les d\u00e9bats scientifiques de l\u2019\u00e9poque. Ce faisant, il adopte une approche volontairement anti-syst\u00e9matique et, dans le cadre de ce \u203aMischmasch von lauter Thorheiten\u2039 \u2013 pour reprendre son propre auto-commentaire \u2013, il ouvre avec assurance un espace de pens\u00e9e entre la litt\u00e9rature et le savoir, tout en raillant la communaut\u00e9 acad\u00e9mique.<\/div><noscript><div class=\"spoiler-body\"> Johann Gottlob Kr\u00fcger\u2019s Tr\u00e4ume (1754) playfully operate within the tradition of dream satire, which they detach from the didactic context of the moral weeklies and reinterpret as allusive, vagabond-coloured tableaus. In the dream narratives, the psychomedical scientist from Halle comments on and ironises current scientific debates in an ostensibly anti-systematic manner and with this \u00bbMischmasch von lauter Thorheiten\u00ab \u2013 according to Kr\u00fcger\u2019s tongue-in-cheek self-commentary \u2013 he self-confidently opens up a space of thought between literature and knowledge while mocking the academic establishment. \/ Les Tr\u00e4ume (1754) de Johann Gottlob Kr\u00fcger s\u2019inscrivent de fa\u00e7on ludique dans la tradition de la satire du r\u00eave qu\u2019ils d\u00e9tachent du contexte didactique des Moralische Wochenschriften et r\u00e9interpr\u00e8tent sous forme de tableaux allusifs aux couleurs vagabondes. Dans les narrations oniriques, l\u2019homme de science et psycho-m\u00e9decin de Halle commente et tourne en d\u00e9rision les d\u00e9bats scientifiques de l\u2019\u00e9poque. Ce faisant, il adopte une approche volontairement anti-syst\u00e9matique et, dans le cadre de ce \u203aMischmasch von lauter Thorheiten\u2039 \u2013 pour reprendre son propre auto-commentaire \u2013, il ouvre avec assurance un espace de pens\u00e9e entre la litt\u00e9rature et le savoir, tout en raillant la communaut\u00e9 acad\u00e9mique.<\/div><\/noscript><\/div><\/div><\/li><li>Stefan Borchers: Die \u203aZankapfelausgabe\u2039. Der Erstdruck von Christian Wolffs Prorektoratsrede \u00fcber die praktische Philosophie der Chinesen. S. 27-47 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> The publication history of Christian Wolff\u2019s famous 1721 rectoral address is complicated. The unauthorized 1725 first edition entitled Pomum Eridis is particularly puzzling. Newly discovered archival sources offer details on the manuscript\u2019s provenance and on the backers who had it printed. This allows the as-yet-unknown printer to be identified. \/ L\u2019histoire de la publication du fameux discours prorectoral de Christian Wolff de 1721 est compliqu\u00e9e. Notamment, un myst\u00e8re s\u2019est forg\u00e9 autour de la premi\u00e8re \u00e9dition non autoris\u00e9e de 1725, intitul\u00e9e Pomum Eridis. Des documents d\u2019archives r\u00e9cemment d\u00e9couverts fournissent des informations sur la provenance du manuscrit et les commanditaires qui le faisaient imprimer. Cette d\u00e9couverte permet d\u2019identifier l\u2019imprimeur jusqu\u2019alors inconnu.<\/div><noscript><div class=\"spoiler-body\"> The publication history of Christian Wolff\u2019s famous 1721 rectoral address is complicated. The unauthorized 1725 first edition entitled Pomum Eridis is particularly puzzling. Newly discovered archival sources offer details on the manuscript\u2019s provenance and on the backers who had it printed. This allows the as-yet-unknown printer to be identified. \/ L\u2019histoire de la publication du fameux discours prorectoral de Christian Wolff de 1721 est compliqu\u00e9e. Notamment, un myst\u00e8re s\u2019est forg\u00e9 autour de la premi\u00e8re \u00e9dition non autoris\u00e9e de 1725, intitul\u00e9e Pomum Eridis. Des documents d\u2019archives r\u00e9cemment d\u00e9couverts fournissent des informations sur la provenance du manuscrit et les commanditaires qui le faisaient imprimer. Cette d\u00e9couverte permet d\u2019identifier l\u2019imprimeur jusqu\u2019alors inconnu.<\/div><\/noscript><\/div><\/div><\/li><li>Esma Cerkovnik: \u00bbV\u2019ascolti un cuor pentito\u00ab \u2013 Der Sinn des H\u00f6rens in der fr\u00fchaufkl\u00e4rerischen \u00c4sthetik bei Pietro Ottoboni. S. 48-62 <div><div class=\"spoiler-wrap\"><div class=\"spoiler-head no-icon  collapsed\" title=\"Expand\">Abstract<\/div><div class=\"spoiler-body\" style=\"display: none;\"> Following the literature on the Roman oratorio in the first decade of the 18th century, which questions the long-existing presuppositions of oratorio\u2019s deterioration, profanation, and artistic inferiority, this paper turns to devotional aspects of oratorio and the concept of listening or hearing as its central feature and the decisive medium of perception in the religious experience of the 17th century. In doing so, it suggests a conceptual continuity with the Oratorian tradition of the 17th century as well as a reform within the framework of contemporary early Enlightenment thought surrounding the librettist Pietro Ottoboni. \/ En suivant la litt\u00e9rature consacr\u00e9e \u00e0 l\u2019oratorio romain au cours de la premi\u00e8re d\u00e9cennie du XVIIIe si\u00e8cle, qui remet en question les pr\u00e9suppositions r\u00e9currentes quant \u00e0 la d\u00e9t\u00e9rioration, la profanation et l\u2019inf\u00e9riorit\u00e9 artistique de l\u2019oratorio, cet article se penche sur les aspects d\u00e9votionnels de l\u2019oratorio et sur le concept de l\u2019\u00e9coute et de l\u2019audition en tant qu\u2019\u00e9l\u00e9ment central et moyen de perception d\u00e9cisif dans l\u2019exp\u00e9rience religieuse du XVIIe si\u00e8cle. Ce faisant, il sugg\u00e8re l\u2019id\u00e9e d\u2019une continuit\u00e9 conceptuelle avec la tradition oratorienne du XVIIe si\u00e8cle, mais aussi d\u2019une r\u00e9forme dans le cadre de la pens\u00e9e contemporaine des Lumi\u00e8res pr\u00e9coces autour du librettiste Pietro Ottoboni.<\/div><noscript><div class=\"spoiler-body\"> Following the literature on the Roman oratorio in the first decade of the 18th century, which questions the long-existing presuppositions of oratorio\u2019s deterioration, profanation, and artistic inferiority, this paper turns to devotional aspects of oratorio and the concept of listening or hearing as its central feature and the decisive medium of perception in the religious experience of the 17th century. In doing so, it suggests a conceptual continuity with the Oratorian tradition of the 17th century as well as a reform within the framework of contemporary early Enlightenment thought surrounding the librettist Pietro Ottoboni. \/ En suivant la litt\u00e9rature consacr\u00e9e \u00e0 l\u2019oratorio romain au cours de la premi\u00e8re d\u00e9cennie du XVIIIe si\u00e8cle, qui remet en question les pr\u00e9suppositions r\u00e9currentes quant \u00e0 la d\u00e9t\u00e9rioration, la profanation et l\u2019inf\u00e9riorit\u00e9 artistique de l\u2019oratorio, cet article se penche sur les aspects d\u00e9votionnels de l\u2019oratorio et sur le concept de l\u2019\u00e9coute et de l\u2019audition en tant qu\u2019\u00e9l\u00e9ment central et moyen de perception d\u00e9cisif dans l\u2019exp\u00e9rience religieuse du XVIIe si\u00e8cle. Ce faisant, il sugg\u00e8re l\u2019id\u00e9e d\u2019une continuit\u00e9 conceptuelle avec la tradition oratorienne du XVIIe si\u00e8cle, mais aussi d\u2019une r\u00e9forme dans le cadre de la pens\u00e9e contemporaine des Lumi\u00e8res pr\u00e9coces autour du librettiste Pietro Ottoboni.<\/div><\/noscript><\/div><\/div><\/li><\/ul>\n\n\n\n<p><strong>Aus der Forschung<\/strong><\/p>\n\n\n\n<ul><li>Leonie S\u00fcwolto \u00fcber Chiara Conterno u. Astrid Dr\u00f6se (Hg.): Deutsch-italienischer Kulturtransfer im 18. Jahrhundert. Konstellationen, Medien und Kontexte (2020)<\/li><li>Hans-J\u00fcrgen L\u00fcsebrink \u00fcber Hans Ulrich Gumbrecht: \u00bbProsa der Welt\u00ab. Denis Diderot und die Peripherie der Aufkl\u00e4rung (2020)<\/li><li>Friedrich Frhr. Waitz von Eschen \u00fcber David McCallam: Volcanoes in Eighteenth-Century Europe. An Essay on Environmental Humanities (2019)<\/li><li>Thomas Wallnig \u00fcber Andreas Oberdorf: Demetrius Augustinus von Gallitzin. Bildungspionier zwischen M\u00fcnster und Pennsylvania 1770-1840 (2020)<\/li><li>J\u00fcrgen Jahnke \u00fcber Elisabeth D\u00e9cultot, Jana Kittelmann, Andrea Thiele u. Ingo Uhlig (Hg.): Weltensammeln. Johann Reinhold Forster und Georg Forster (2020)<\/li><li>Michael Schaich \u00fcber Daniel Bellingradt: Vernetzte Papierm\u00e4rkte. Einblicke in den Amsterdamer Handel mit Papier im 18. Jahrhundert (2020)<\/li><li>Robert Seidel \u00fcber Johann Heinrich Merck: Gesammelte Schriften und Briefwechsel. Supplementband. Addenda, Korrigenda, Gesamtregister. Hg. v. Ulrike Leuschner in Zusammenarb. m. Eckhard Faul u. Am\u00e9lie Krebs unter Mitarb. v. Lena Dunkelmann, Katrin Fischer u. Herbert Wender (2021)<\/li><li>Gregor Maximilian Weierm\u00fcller \u00fcber Markus Christopher M\u00fcller: Ein Gelehrter am M\u00fcnchener Hof. Die Tageb\u00fccher des Andreas Felix von Oefele (1706-1780) (2020)<\/li><li>Kristin Eichhorn \u00fcber Yulia Mevissen: F\u00fcr sich selbst sprechen. Die \u00bbdramatischen Romane\u00ab des 18. Jahrhunderts (2021)<\/li><li>Hendrik Holzm\u00fcller \u00fcber Sebastian Kaufmann: \u00c4sthetik des \u203aWilden\u2039. Zur Verschr\u00e4nkung von Ethno-Anthropologie und \u00e4sthetischer Theorie 1750-1850. Mit einem Ausblick auf die Debatte \u00fcber \u203aprimitive\u2039 Kunst um 1900 (2020)<\/li><li>Sophia Farnbauer \u00fcber Jan-Hendrik Evers: Sitte, S\u00fcnde, Seligkeit. Zum Umgang hallischer Pastoren mit Ehe, Sexualit\u00e4t und Sittlichkeitsdelikten in Pennsylvania, 1742-1800 (2020)<\/li><li>Stefan Borchers \u00fcber Mareike Fingerhut-S\u00e4ck: Das Gottesreich auf Erden erweitern. Einf\u00fchrung und Festigung des Pietismus durch das Grafenpaar Sophie Charlotte und Christian Ernst zu Stolberg-Wernigerode in seiner Grafschaft (1710-1771) (2019) und Thomas Grunewald: Politik f\u00fcr das Reich Gottes? Der Reichsgraf Christian Ernst zu Stolberg-Wernigerode zwischen Pietismus, adligem Selbstverst\u00e4ndnis und europ\u00e4ischer Politik (2020)<\/li><li>Gabriele Ball \u00fcber Angela Sanmann: Die andere Kreativit\u00e4t. \u00dcbersetzerinnen im 18. Jahrhundert und die Problematik weiblicher Autorschaft (2021)<\/li><li>Bj\u00f6rn Zentschenko \u00fcber Oliver Bach u. Michael Multhammer (Hg.): Historia pragmatica. Der Roman des 18. Jahrhunderts zwischen Gelehrsamkeitsgeschichte und Autonomie\u00e4sthetik (2020)<\/li><li>Ursula Goldenbaum \u00fcber Maximilian L\u00e4ssig: Radikale Aufkl\u00e4rung in Deutschland. Karl von Knoblauch, Andreas Riem und Johann Christian Schmohl (2020)<\/li><li>J\u00fcrgen Overhoff \u00fcber Avi Lifschitz (Hg.): Frederick the Great\u2019s Philosophical Writings. \u00dcbers. v. Angela Scholar (2021)<\/li><li>Diego Stefanelli \u00fcber Susanne Greilich u. Hans-J\u00fcrgen L\u00fcsebrink (Hg.): \u00c9crire l\u2019encyclop\u00e9disme, du XVIIIe si\u00e8cle \u00e0 nos jours (2021)<\/li><li>Ulrike Schiefelbein \u00fcber Adrian Robanus: Romantiere. Zoopoetik bei Wieland und Wezel (2021)<\/li><li>Christina Schr\u00f6der \u00fcber Johanna Hellmann: Marie Antoinette in Versailles. Politik, Patronage und Projektionen (2020)<\/li><li>Friedrich Frhr. Waitz von Eschen \u00fcber Alexander von Humboldt: Gutachten zur Salzgewinnung 1789-1794. Mit einer Studie von Dagmar H\u00fclsenberg. Hg. v. Dagmar H\u00fclsenberg u. Ingo Schwarz (2020)<\/li><li>Johan van der Zande \u00fcber Frank Grunert, Andree Hahmann u. Gideon Stiening (Hg.): Christian August Crusius (1715-1775). Philosophy between Reason and Revelation (2021)<\/li><li>Till Kinzel \u00fcber Marta Garcia-Alonso (Hg.): Les Lumieres radicales et le politique. \u00c9tudes critiques sur les travaux de Jonathan Israel (2017)<\/li><\/ul>\n\n\n\n<p><strong>Sonstiges<\/strong><\/p>\n\n\n\n<p>Eingegangene B\u00fccher<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jahrgang 46 (2022) Heft 1 Heft1 (2022) Jahrgang46 Aus der Arbeit der DGEJ Zu diesem Heft (Stefanie Stockhorst) Racial Classification, Slavery, and Human Rights. The Impacts of the Transatlantic Order in Eighteenth-Century Germany. Deutsch-amerikanisches Panel auf der 52. Tagung der American Society for Eighteenth-Century Studies (ASECS), 31. M\u00e4rz\u201302. April 2022, in Baltimore\/MD (Sigrid G. K\u00f6hler u. Claudia Nitschke) Beitr\u00e4ge Tanja<\/p>\n<p><a class=\"more-link\" href=\"https:\/\/dgej.hab.de\/index.php\/2022\/06\/16\/jahrgang-46-2022-heft-1\/\">Weiterlesen<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1485"}],"collection":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/comments?post=1485"}],"version-history":[{"count":4,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1485\/revisions"}],"predecessor-version":[{"id":1493,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/posts\/1485\/revisions\/1493"}],"wp:attachment":[{"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/media?parent=1485"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/categories?post=1485"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dgej.hab.de\/index.php\/wp-json\/wp\/v2\/tags?post=1485"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}